Howling Tower

Guilds were a notable feature of urban life in medieval cities. If you were a craftsman of any type in Europe during the Middle Ages, you almost certainly belonged to a guild. Guilds show up in fantasy RPGs and campaign settings, too; every city has a thieves’ guild and a wizards’ guild. It’s mostly lip […]

In recent years, the philosophy of “yes, but” has become a hot ticket for GMs. Let me assure you, this was not always the case. I’m reminded a bit of the way philosophies come into and out of fashion in business management (are you a one-minute manager in search of excellence?). If that sounds dismissive,

When designing a world as a setting for replaying and storytelling, condensing your concept down to an elevator pitch is a great exercise. Not that you’re likely to corner a venture capitalist and a Hollywood producer in an elevator and pump them to invest money in your idea, but because you are going to corner friends,

Ask anyone who knows me, and they’ll tell you that I’m definitely not a reactionary type. I consider myself to be progressive about most things. But in some regards, I’m an unapologetic originalist. I almost always prefer the first recording of a song to the cover version, the original version of a movie to the

“The unknown” has a hypnotic lure. If you’re anything like me, then you started exploring the dark recesses of the closet the moment you were old enough to switch on a flashlight. After the closet came the basement, the attic, the garage, neighbors’ yards, the woods down the hill, and eventually the storm drains that

How often have you heard the phrase, “It’s a great place to visit but I’d hate to live there?” When designing a fictional world, you’re actually aiming for the opposite reaction: “It’s a terrible place to visit, but I’d love to live there.” Your world is a terrible place to visit because it’s falling apart

All my favorite RPG settings are either apocalyptic or post-apocalyptic. Yours probably are, too. Is that a surprise? Take a moment to think about it. The most obvious footprint of the apocalypse is the ruins it left behind. When was the last time you saw an RPG campaign map that didn’t have a symbol for

Worldbuilding is about telling stories. Storytelling and worldbuilding flow from the same spring. When no one knew what lay on the far side of the hills or across the wide river, any story about those places was set in an imaginary land that could be as fanciful as the storyteller cared to make it. (“Snakes

Balance has always been a big concern among RPG players and designers. My friends and I had our first debate about whether D&D’s classes, races, spells, monsters, and magic items were “balanced” during our very first D&D session. We reached no definite conclusion other than that balance is a fleeting target. D&D is not a

In roleplaying games, sometimes the characters who make up the adventuring party aren’t all at the same power level. In the olden days, that could be because a few characters died and had to start over at 1st level while the survivors were at 4th or higher, because one unlucky soul bore the brunt of

Everybody starts somewhere. A person’s first experience with tabletop roleplaying will stay with him or her forever. That’s equally true whether it was good or bad. If the player didn’t like it, that player will never come back. If the player enjoyed the experience, the RPG club gains a new member and that person picks

Adventure hooks are the grease that keeps a fantasy roleplaying game campaign moving forward without snagging up between adventures. When hooks work properly, one adventure meshes into another like the cogs in a fine transmission. Players transition from the third adventure to the fourth adventure like Steve McQueen upshifting from 3rd gear to 4th.